Showing posts with label tintin. Show all posts
Showing posts with label tintin. Show all posts

Saturday, December 31, 2011

The Adventures of Tintin


From a kinetic title sequence to a final shot baiting for a sequel, The Adventures of Tintin never stops to take a breath. Racing from setpiece to setpiece, Tintin leaves not a single scene without at least a punch (if not a full-blown explosion). The wall-to-wall action should by rights be exhausting, but adventure is no foreign terrain for Steven Spielberg. Under his practiced direction, Tintin pulls us easily into its energetic pace, catching us up in an adventure story that feels familiar but is no less exciting in the telling.
Introduced via a gag that passes the baton from Tintin creator HergĂ© to Spielberg and co., Tintin (Jamie Bell) and his faithful dog Snowy find themselves caught up in a high-stakes chase around the globe after discovering a hidden secret in a model of the lost ship The Unicorn. Bell plays the famous comics creation with a bright, can-do verve, dashing without fear from rooftops and windows in certainty that good will win out.  Until it does, though, the adventuring pair is pursued by the sinister Ivan Sakharine (Daniel Craig, enjoying himself in an unusually villainous role), a hunt that quickly extends itself from land to sea, where Tintin meets the drunken but good-hearted Captain Haddock (Andy Serkis). Together, Tintin, Snowy, and Haddock struggle to unlock the mystery of The Unicorn before Sakharine can claim whatever treasure it holds or take them out in the process.
The Tintin comics always had a surreal humor to them, an element not lost in this adaptation. Every action scene pops along with a smoothness and grace that still make room for plenty of visual gags, a task aided by Spielberg’s new motion-capture toolset. Although sometimes pushing the film uncomfortably toward the Uncanny Valley (usually during close-ups that give us time to study the bizarre proportions of Tintin’s face), the motion capture is ultimately a boon to Spielberg’s work here, allowing him to create fantastic setpieces impossible in live action. One of the film’s most thrilling scenes is a sustained single-shot chase sequence through Morocco, and Tintin is at its best as it glides us through deserts, streets, and canals, gleefully following after the intrepid young journalist and his canine pal as they chase down an adventure.